The Clever Badger I'm not dead yet!

3Jul/116

Movie Review – Speed Racer (2008)

When I started elementary school in the mid-1970s, my TV diet consisted of PBS standards like Sesame Street, The Electric Company, and Mr. Rogers' Neighborhood.

It didn't take long for my classmates to suggest alternatives.  One of those was Speed Racer, the American dub of the Japanese series Mahha GoGoGo.

My mom objected to shows like this and the old Spider-Man cartoon most vocally on the grounds of the excessive violence, which served only to increase my desire to see them.  Forbidden fruit and all that.

Speed Racer, to my young eyes, was all about the car - the Mach 5.

The Mach 5

This was gonna be my first car...

Speed Racer and the Mach 5 might be claimed as a source of inspiration for many vehicle-themed shows that later followed - Knight Rider, for example.

So, a few years back when the Wachowski Brothers, still riding the cachet they'd built with The Matrix1 and its sequels, got attached to a live-action version of Speed Racer, I was intrigued.

The film tanked at the box office when it was released in 2008, and drew generally negative reviews.  I picked up the DVD about a year ago at Target for the princely sum of $5, but it gathered dust on the shelf until last night, when a combination of insomnia and lack of anything better to do led me to pop open a beer and throw Speed Racer into the player.

I'll say up front that not even reviewing films like Mega Shark Vs. Crocosaurus could have prepared me for the Wachowski Brothers' take on Speed Racer.

Let's begin.

We meet a young Speed Racer in school, unable to concentrate on his work.  Constantly caught up in daydreams about racing, he's considered an outsider by his classmates and a poor student by his teacher.  We come to learn that his father builds race cars, and his brother Rex drives them.  These aren't just any race cars, either.  They're impossibly high-performance machines that race on tracks that look more like fancy Hot-Wheels setups:

Not your father's race track

In Speed Racer's world, physics doesn't seem to have much use.  Cars spin, flip, drift around turns, spring over other cars, and travel at speeds approaching 500 MPH.

Speed's brother, Rex, is a very talented racer, but has a fallout with their father, Pops (a horribly under-utilized John Goodman), and leaves home on a dark and stormy night.

Shortly after, a racing accident kills Rex, who was living under accusations of cheating.  The Racer family is crushed.  Mom (played by Susan Sarandon, who spends most of her scenes looking like she's trying to find an escape from the set) takes Rex's death particularly hard, but provides the emotional glue that holds the family together.  (Ms. Sarandon was given possibly the most well-written dialog in the entire film.  Nevertheless, one must wonder just what sort of leverage the Wachowski's had on her to get her into this thing.)

Speed grows up (portrayed by Emile Hirsch)  to become a fine racer in his own right, and after dramatically winning a local race, is approached by Royalton (Roger Allam) to join his stable of racers.  The Racer family, long an independent racing team, is suspicious of Royalton's offer, but goes with him to visit his headquarters, accompanied by Speed's long-time girlfriend, Trixie2 (Christina Ricci).

After the initial visit, Speed and Trixie discuss Royalton's offer and Speed's future.

 

Trixie and Speed

 

The Wachowski's aren't subtle.  Anyone who can't figure out that Royalton isn't one of the good guys is either dead or asleep (which, by this point in the film wouldn't be out of the question.)  We can tell because his eyebrows have a sort of villainous arch to them.

 

All he's missing is a waxed mustache...

Really, they could have made it a little less obvious.  Anyhow, when Speed declines Royalton's offer of indentured servitude employment, Royalton tells Speed that the Racer family name won't even have any cache on a late night infomercial, let alone in the racing world.  (Apparently the sport of auto racing in the reality of Speed Racer is little more than a front for corporate manipulation of stock prices, and the winners of every major race are negotiated beforehand.)

Sure enough, before you know it, things have gone bad for the family.

Enter the mysterious RacEr X and (in what has to be one of the most ridiculous names ever) Inspector Detector of the CIB (or something - it's a group that investigates corruption in the racing business).

Racer X (left, duh.) and Inspector Detector

They have a proposal for Speed - team up with RacEr X and some other driver who we were introduced to a few minutes ago that I didn't bother to mention to win a big road race that will lead the third driver to give up a file he has on corrupt drivers and team owners and put people like Royalton with funky eyebrows out of business.  (You'll note that Inspector Detector is clearly a good guy - nary an arched eyebrow in sight.)

Speed and Trixie decide to accept the offer against the wishes of Speed's parents, and head to the race under cover of a skiing trip.

The bad guys put a bounty on Speed's team, and automotive hijinks ensue as the various drivers deploy whatever dirty tricks they have at their disposal to win.

Some dramatic tension unfolds as the race goes through the same cave that Speed's brother, Rex was killed in - a stretch of road that RacEr X seems unusually familiar with.

Speed and company ultimately prevail and win the race, only to discover that the third driver really didn't have a file on all the corrupt players, and was simply using Speed and RacEr X to win the race and boost his father's stock price.

Disillusioned, Speed heads home, but has finally used his keen senses of observation and logic to almost figure out that RacEr X showed up shortly after Rex's death, and that Rex's body was unrecognizably burned, and that RacEr X drives like Rex and knows Speed's moves!  OMG! RacEr X must BE Rex!

Speed soon confronts the mysterious masked man about it, who removes his hood to prove to Speed that he isn't his brother, but knows that his brother would be proud of the man Speed has become.  (Speed, demonstrating that he's not the sharpest tool in the garage, appears never to have heard of plastic surgery...)

The third driver's sister shows up with an invitation for Speed to participate in the Grand Prix, which is his life's dream.  The family has less than two days to rebuild Speed's car and get to the race, which we know they'll do for no other reason than that this would be a very bizarre way to end the movie.

The Grand Prix race, as presented by the Wachowski's is an eye-scorching, ear-splitting eruption of garish color and noise:

 

Really, the whole movie looks like this...

 

Basically, if you've ever played a Mario Kart game, the Grand Prix is Rainbow Road with the volume turned full-up on the TV.  The long and the short of it is that Speed wins, the Racer family regains its lost honor, and the corrupt businessmen like Royalton are exposed for the wretched villainous scum they truly are.

Meh.

This was a very difficult movie to watch for a number of reasons.

First off, the characters were uniformly uninteresting - even the leads.  John Goodman, Susan Sarandon, and Christina Ricci are all talented, but they aren't really given anything to work with here.  Emile Hirsch seemed to be asleep most of the time, even in the "intense" racing scenes, and it went downhill from there.  Even the Mega Shark films have something to their characters that makes them less of a chore to watch.

Second, as the screenshot of the Grand Prix should illustrate, the visual style of the film seemed designed mainly to make the viewer's eyes bleed.  I understand the challenges in making a live-action film from a cartoon.  Trying to keep the original visual style probably won't work, but neither will going with a fully real-world approach.  Nevertheless, the source material for Speed Racer would have allowed a much more realistic approach that might have made the film less exhausting to endure.

Third, the characters were all different from how they "should" have been.  In the cartoon, Speed was more confident, Trixie was less aggressive, Racer X more edgy.  Here, we have a Speed who can't seem to look anyone in the eye, Trixie exuding a smoldering sexuality that seems out-of-place (I think that's really more just Ricci...), and Racer X who never lives up to his potential.  This wasn't Speed Racer so much as something that superficially resembled Speed Racer.

Fourth, and finally, by the end of the film, nothing had really changed.  The family still thinks Rex is dead.  Pops still builds his own cars without any sponsorship.  Speed is still racing, and the racing world, now that its most corrupt players have been rooted out, is the honorable world that Speed and his family believed it to be at the start of the film.

They're all right back where they started, and I'm out five bucks.

-Jay

----------
1As visually innovative as that film was at the time, it just doesn't grab me much now for some reason .  And the sequels always seemed unnecessary to me.

2In the original cartoon, it was easy to come to the conclusion that Trixie was Speed's sister, especially if you were watching the show at six or seven years old.  Even when I watched most of the series a few years back, their relationship still seemed fairly low-key.  Christina Ricci, however, brings a more aggressive Trixie to the screen.  It's a PG-rated movie, so she doesn't go overboard with it, but still...

22Jan/1110

Movie Review: Mega Shark vs Crocosaurus

The fine folks at Asylum followed up their blockbuster hit, Mega Shark vs Giant Octopus, with another stellar production:

Mega Shark vs Crocosaurus.

Mega Shark vs Crocosaurus

Mega Shark vs Crocosaurus

I'm thinking that the Mega Shark might be the American answer to Godzilla.  Or not.

MSvC, as I'll subsequently abbreviate the title,  stands unique among films in that it pits Steve Urkel, The Doctor from Star Trek: Voyager, some dude that kinda looks like Pierce Brosnan but isn't, and some actress I've never heard of against a pair of poorly rendered monsters.

Jaleel White Will Never Live This Down...

Steve Urkel plays  U.S. Navy Lieutenant Terry McCormick who specializes in sharks.  He's on the USS Gibson (a nod to Debbie Gibson's role in the original MSvGO), trying to confirm the death of the Mega Shark, when it shows up out of nowhere and sinks the ship (possibly a commentary on the state of Gibson's career...).  McCormick loses his girlfriend in the carnage, and is the only survivor of the attack.  McCormick has developed some sort of sonic widget that can either attract or repel sharks, depending on what the screenwriter needs it to do at any given point in time.

Not Pierce Brosnan plays Nigel Putnam, a soldier of fortune in Africa who specializes in ghost hunting.

At First Glance, He Might Fool You.  Then He Speaks...

At First Glance, He Might Fool You. Then He Speaks...

Or killing strange animals.  Or something.   Putnam gets into the act when some random tall, blond lawyer lady approaches him in a bar in the Congo and asks him to kill whatever it is that's been eating the workers at a mine nearby.  They fly into the area, and the lawyer lady (inexplicably dressed in a short, tight dress and heels despite being in the jungle...) gets eaten by a giant crocodile (Crocosaurus, duh).  The croc also tries to eat Putnam, but somehow he manages to tranquillize the thing from inside its mouth, and it spits him out and falls asleep.  I was wondering why he didn't try to rescue the lawyer lady at that point, since she was swallowed whole and probably hadn't been digested yet.  Maybe he just doesn't care much for lawyers.

The actress I've never heard of (and I'm using the term "actress" kind of loosely) shows up at McCormick's debriefing, and offers him a chance at some closure by joining a team that is trying to hunt down and kill the shark.  This is Special Agent Hutchinson.    She looks very severe, and speaks in short, clipped sentences, and may actually have been carved out of a block of wood.

That Look On Her Face - It's Like A Mask!

That Look On Her Face - It's Like A Mask!

About halfway through the film, she takes off her suit jacket and spends the rest of the film in a tight tank top.  This, I suspect, is a strong hint of why she's in the movie at all.  I imagine that somewhere in development, someone realized that the movie failed to meet the SyFy Channel's MCR (minimum cleavage requirement), so they added the character of Hutchinson to cover that.

Anyway, Hutchinson works for Admiral Calvin, played by The Doctor from Star Trek: Voyager.  Calvin's main motivation for killing the shark appears to be so that he can smoke the most expensive cigar made.  Personally, I don't get it, but by the time they introduced that plot point, I was willing to go along with whatever they said.

This Movie Really Needed A Doctor.  A Script Doctor...

This Movie Really Needed A Doctor. A Script Doctor...

Back to Putnam.  He manages to somehow get the sleeping croc onto a freight ship, along with some eggs.  (Eggs?  Where did eggs come from?  There weren't any eggs before.  It's like when the development staff realized they were low on cleavage, they also decided to add in some extra random plot points because the plot wasn't already convoluted enough.)  For some inane reason, Putnam wants to take the croc and its eggs to the U.S.  Why?  Really, why?  Does he want to corner the market on croc-skin accessories for the ladies?  Didn't he see King Kong?   Doesn't he know that bringing giant, vicious creatures to a densely populated city is a sure way to send said city to hell in a handbasket?  Whatever the reason, the shark begins to attack the boat. (nit pick:  both the shark and the croc tend to randomly change scale throughout the film.  At one point, we're told that the croc is 1500 feet long.  The croc is slightly longer than the shark.  The shark, early on, sinks a U.S. Navy Battleship, which is ~900 feet long.  The shark is clearly much shorter than the ship.  Yet the dorsal fin of the shark is shown to rise out of the water higher than the mast antennas on the battleship.  It's like the monsters are made of Expand-o-Foam.)  During the attack, the croc wakes up and escapes.  The boat sinks, and Putnam barely escapes.  He washes ashore and heads to a bar, where he meets Hutchinson, who recruits him to help with the burgeoning creature eradication effort.

Back on Admiral Calvin's aircraft carrier, we learn that McCormick and Putnam know each other from back in their Peace Corps days.  Or something.  It's really not well-explained, and by that point in the movie, I was finding myself wishing that the cast would break into a Bollywood-style musical number or something because everyone was so tense and serious.

The rest of the film is spent on a confusing trans-oceanic relay race trying to get ahead of the croc and the shark.  Why is the shark after the croc?  Well....

So those eggs that randomly turned up a while back?  As it happens, giant sharks are attracted to the smell of giant crocodile eggs (I mean, who wouldn't be?), and the giant crocodile just happens to have some "evolutionary adaptation" that enables it  to lay gajillions of eggs whenever the plot needs it to.  (giant pet rock: ham-handledly abusing evolution in order to give some magical characteristic or ability to an organism, even a monstrous one, is one of the reasons that a lot of people don't accept evolution.   I certainly don't expect a movie like this to get science right, but when they don't bother to try to explain anything else, but throw evolution under the bus, it just ticks me off.)

Anyway, yeah.  Sharks like eggs, and the croc has been cruising all over the oceans laying eggs.  Oceans.  Plural.  Somehow these giant creatures are also endowed with warp drive, because they go from Florida to California to Hawaii in the space of what seems like minutes.  And Admiral Calvin's carrier seems to have the same capabilities, because it just happens to be wherever the monsters show up.   I'm sure there's a deleted scene that explains that.  They probably cut to get the cleavage ratio up.

Right.  Well, McCormick, Putnam, and Hutchinson spend a lot of time in this adorable little 4-rotor helicopter, chasing the critters around and coming up with ineffective ways to try to kill them, including:

  • Missiles
  • Bombs
  • Harsh Language
  • Nuclear Subs (EPIC FAIL:  The shark swallows the submarine.  Whole.)
  • Glaring Menacingly
  • Trapping Them In The Panama Canal And Blowing It Up (Leads to random shark-on-land scene as it chomps its way back to the water, like some weird gray toothy Pac-Man.)

The Canal Scheme doesn't work, although it does manage to get the shark and the croc engaged in tooth to tail combat, where again all sense of consistency of scale is sacrificed in the interest of extra beer money.

They take the fight to Hawaii (I think.  Hell, by this point in the movie, they could have been on Mars for all the sense it made), where the croc eggs are starting to hatch.  A lucky slap of the croc's tail knocks the Urkelcopter out of the sky, injuring everyone and giving McCormick flashbacks of the shark attack that killed his lady-love.  McCormick and Putnam, with a renewed sense of urgency, come up with the Greatest Freakin' Plan Yet To Kill The Giant Monsters!

  1. Take an inflatable motor boat out to where the monsters are fighting in the ocean
  2. Drop McCormick's Amazing Sound Generator into the water, tuned to "Create Volcanic Eruption"
  3. Lure the shark, croc, and half a gajillion baby crocs to the site of the impending eruption
  4. Get the hell out

What could possibly go wrong with that?

Meanwhile, off camera, Hutchinson has regained consciousness and gotten the Urkelcopter back in the air, and she arrives just as McCormick and Putnam beach their motor boat.  They jump in the aircraft and get off the ground just as the volcanic eruption/nuclear explosion (remember, the shark ate a nuclear sub...) goes off, crisping all the critters in the blast.

Hutchinson finally cracks a smile (and it looked genuinely painful) as she reports that the shark and the croc are toast, and then flies off into the sunset.

Hokey smokes.

I never, in a million years, would have guessed that I'd watch a movie of which I can honestly say that Steve Urkel's acting was the unequivocal high point of the film.

Really.

-Jay

8Jun/102

Movie Review – The Car (1977) (Updated)

In 1977, right around the time I recall seeing the first commercials for Star Wars (now known by the much clunkier title Star Wars: Episode IV - A New Hope), commercials appeared for a very different film - The Car (Updated to add the link that I forgot before). (Trivia - The Car was released on 13 May 1977, Star Wars was released on 25 May 1977.)

The Car was, for reasons I still can't fully explain, a film that captured my imagination from the start - probably because of my parents' unequivocal refusal to take me to see it.  I can recall finding a novelization of the movie in the book rack at the local grocery store, where I read probably half of the story over the course of a few weeks.  The writing, as is typical of movie novelizations, was fairly bland and not horrifying in the least, but the parental ban persisted.