Movie Review: Pinata Survival Island

Happy Cinco de Mayo!

I know it’s late, but allow me to inflict upon share with you my review of the classic 2002 Nicholas Brendon (late of Buffy the Vampire Slayer) Cinco de Mayo-themed party film, Piñata Survival Island (also known by the much less descriptive title, Demon Island.)1

The box art pretty much tells you what you need to know.  There’s an island.  And college kids.  And a piñata.  Wait, what?

A piñata?

Let’s see what this is all about…

The film opens on a small village, probably located in the fictional Latin American country of Brazentinumbexico, sometime in the (presumably) distant past.  The village is in the midst of a terrible drought, and the locals are at a loss to explain why.  Apparently the local witch doctor decides that the problems are due to the evils and misdeeds of the villagers, and that the way to solve the problem is to magically suck the wickedness out of everyone and infuse it into a clay piñata made by the village piñata maker.

The piñata maker, who can’t be bothered for a rush job even though the locals are dropping like flies, carefully crafts the magical vessel out of clay, water (wait – I thought they were in a drought…) and pig’s heart.

Just go with it.

There’s also something about a sacred stone, but that never really comes up again, so nevermind.

Anyway, the entire village treks off to the riverbank to perform the magical evil-sucking-transfer-to-the-piñata ceremony, where the witch doctor summons the (ever dwindling number of) villagers to the front of the crowd and mumbles some vaguely Spanish-sounding words and transfers the evil into the clay-and-pig-heart piñata.

Note the piñata on the left.  We’ll see him again.

Hey! You shocked me!

Once everyone has been appropriately zapped, they cast the piñata adrift in the river, where it eventually floats out to sea, presumably never to be seen again.  If that were the case, it would be a very short, mercifully short, movie.

Unfortunately, they still had budget at this point, so we flash forward to Cinco de Mayo, circa 2002, where two boats full of bikini and trunk-clad students from Woodson University are headed towards an island – among them our two “big-name” stars – Nicholas Brendon (late of Buffy the Vampire Slayer)2 and Jaime Pressly who I dimly remember hearing about from something, but I can’t remember what.

Our intrepid group of victims  piñata bait promising young students hits the beach for the annual Woodson University Cinco de Mayo scavenger hunt, and are met by the two official judges, Paul and Monica.  (Paul, for anyone who cares, is played by Garrett Wang, who played Harry Kim on Star Trek: Voyager.)

The group heads to camp to prepare for the hunt.

The scavenger hunt works like this:

Around the island are scattered several thousand (!) pairs of underwear.  Couples are handcuffed together and given until nightfall to collect as many undies as they can, and the winning couple gets some cash.3  And oh, by the way, there are piñatas placed around containing “refreshing beverages”  (wink wink nudge nudge.)

The couples are paired up, and off they go.  Except for Kyle and Tina (Brendon and Pressly).  Those two apparently broke up shortly before the events of the film, and obstinately decide to sit the game out rather than cooperate.

The other groups, who I’ll call Disposable Couple #1, #2, #3, and #4 respectively, all have their own strategies for winning.  Let’s have a look:

DC #1 break away from the others.  Guy 1 produces a handcuff key and a joint, and they start scavenging while loaded.  Girl 1 notices a familiar clay piñata stuck in the mud.  She pulls it out, and calls her partner over.  They bash on the thing with a rock, figuring it must contain some thirst quenching treats, but when they crack it, the only thing they’re treated to is some weird howling and wind.

When they turn their backs, we see the piñata grasp a stick.

Oh, they’ve got a live one here…

They turn to notice the piñata is gone, only to have it spring out of the bushes behind them, and (in a completely predictable bit of role reversal) start clubbing Guy 1 about the head with a stick.

Does anyone know the name of a good dentist?

Girl 1 wastes no time in exiting the area, which is probably a wise thing to do.  Now, at about this time, the producers of the film seemed to realize that using a short guy in a rubber piñata suit might not adequately convey the cinematic gravitas that they were trying for, so they apparently enlisted the crack CGI wizards over at SyFy to help out by adding some glowing lines and stuff.

While all this horror is going on, Kyle and Tina decide that they’ll play the game and try to cooperate, and head out into the jungle to scavenge unmentionables.

Let’s check in with DC #2.  Guy 2 has managed to have a secret stash of Fruit of the Looms buried on the island.  He and his partner are looking for it when they’re set upon by a very stressed Girl 1, who’s covered in what is supposed to be blood but looks more like southwestern ranch salad dressing.  She tells them that something killed Guy 1, but they think she’s trying to scare them out of the game, so they ignore her.  She runs off and they go back to searching for their stash.

They find their shovel and start digging.

Here we get to see the other great special effect: Piñata Vision.  Our antagonist sees the world through this weirdly prismatic faux-thermal view:

Where have I seen something like this before?

Right about here, I had an epiphany!  A group of people in an isolated jungle being stalked by a stealthy enemy that sees the world in the infrared.  I’ve seen this movie before, only with higher production values and Arnold Schwarzenegger!  Piñata Survival Island is a rip-off of Predator!

Needless to say, this realization greatly enhanced my viewing experience.

Back to the film.

DC #2 have set their shovel down and are transferring their ill-gotten booty covers (see what I did there?) into their bags when they notice that the shovel has disappeared.

Our nimble monster quickly springs into action, once again going crazy with the cheez-whiz and bashing people like he expects candy to fall out of them.  (Actually, I forgot to mention that in a sense, it does.  When the piñata monster kills someone, he sucks out their soul for reasons that aren’t exactly clear.)

About this time, Girl 1 has found her way back to the judges and told them her story.  While they don’t quite believe everything (heh), they’re smart enough to realize that something has gone pear shaped and they need to bring everyone back in and get off the island.  They hop on their ATVs and first encounter Kyle and Tina, who have begun to work through their issues.  They head back to camp to fire off the Game Over pistol while the Paul and Monica continue on.

Cut over to DC 3, who are tonsil diving out in the jungle.  The monster, showing it’s skill in ropecraft, strings itself up on some vines and lowers itself behind them.  When they finally come up for air, they notice the (freaky looking) piñata (that wasn’t there just a few minutes earlier) dangling off of a vine.  Guy 3 picks up a stick to take a swing, only to be intercepted by the monster with its cat-like piñata skills.  It proceeds to dispatch him with great aplomb, removing something that resembles a pot roast from his belly.  Then it turns its attention on the screaming girl.

Oddly, we never see the thing attack the second member of each pair while they’re handcuffed together.  I guess maybe it’s a technique that the director picked up in Dramatic Tension 101.  Or maybe they ran out of budget.  Or forgot there were other actors on the set.  Not sure.

Back to the “story”.  In short order, Paul and Monica run across the strung up (like a piñata!) remains of Guy 1, and with their Holmesian powers of deductive reasoning conclude that something is indeed amiss on the island, and perhaps Girl 1 wasn’t merely in the grips of a booze and weed-fed hallucination-fest.  They head back to their ATVs to (I assume) look for the other missing students, but quickly attract the attention of the piñata monster, who has now morphed into its more mature form, which looks sort of like a pile of rocks in the vague shape of maybe a minotaur with glowing lava in the cracks.  Supposedly the filmmakers punched up the monster because the initial three-foot-high Porky Pig on Acid approach wasn’t getting it done.  While this is going on, Kyle and Tina discover that something has destroyed their boats, and left behind a bunch of hoof-like footprints.

The monster thunders after Paul and Monica, but they almost manage to shake it until Monica’s ATV smashes into a large tree trunk (hey! who put that there?) and explodes.  She’s thrown free, and Paul comes back to try to save her.  He does, but not in quite the way he planned, proving that in order to escape pursuit by a giant burning piñata monster, you only have to be the second slowest college student.

Monica scrambles through the jungle, taking a tumble down a cliff (well, a short embankment – cliffs are expensive) and hiding in the undergrowth.  Taking another cue from Predator, the monster can’t see her and heads off.

Back at camp, Kyle, Tina, and Girl 1 are waiting for anyone else to return, and, prompted by the hoof prints on the beach, Kyle remembers an old folk tale about a drought and a village and a piñata that has a pig heart in it.  Immediately, they all conclude that this is exactly what they’re dealing with.  Unfortunately, Kyle’s folk tale doesn’t really give them any insight into how to get rid of the bloody thing, since the approach that the villagers took was to set the evil-filled party favor adrift in the river and make it someone else’s problem.

Cue the timely arrival of DC 4, who have had about 30 seconds of screen time in the entire movie.  Now we are five.  The group waits out the evening, then after a spirited debate in which everyone changes opinion several times and can’t seem to sort out who to agree with, decide to strike off into the jungle in search of their missing friends.

For a group that’s being picked off by an unidentified enemy, they’re remarkably cavalier about this, with DC 4 lagging behind several times.  This ultimately becomes his undoing, as our monster, once again displaying the skills that earned him the vine-craft merit badge back in horror scouts, snares him up into a tree, where he slowly expires while his dim-witted, can’t be bothered  to look up friends mill around below.

At this point, Girl 4 and Girl 1 decide they’d be safer back at the camp, and start the hike back.  What’s the worst that could happen, really?  Well, how about a goofy piñata monster swinging out of a tree wielding a stick (or maybe the shovel from a while back – not sure…) and taking out Girl 4 while Girl 1 takes a bio break behind a shrub?  Which is exactly what we get.  Kyle and Tina have meanwhile spotted some tracks headed back towards the camp, and are on their way back when they find Girl 1 screaming (again).

Kyle gets all manly and decides to take off after the monster with a stick and a small hunting knife, while Tina tries to talk some sense into Girl 1.  This works about as well as we might expect at this point, with Girl 1 rabbiting (again), forcing Tina to follow.

In another part of the jungle, Kyle finds a nearly catatonic but amazingly alive Monica, and they head back to where he left the girls.

Girl 1, having made it back to camp, sees movement in one of the tents, and unwisely decides to go inside.  She meets her end right as Tina arrives, and the monster bursts from the tent in yet another new form – now it looks like (I’m not making this up…) a giant flying tadpole made of rock and lava.  It’s also gained the heretofore unseen ability to breathe out some sort of deadly darkness.  Apparently it can’t fly too fast, though, as Tina outruns it and stumbles into Kyle and Monica.  The three hide behind a convenient tree, and distract the monster with some thrown rocks (that always works…).

At nightfall, they decide to make a stand, and head to the ATVs to siphon the gasoline out of the tanks and into their canteens.  They escape just before the monster shows up, having attracted it when Monica screamed as Paul’s body drops out of a tree.

The trio head back to camp, and in a montage straight out of Predator but with less Schwarzenegger proceed to set up  snares, traps, and torches.  Then they set out a dummy as bait and have Monica loudly talk to herself to lure the creature in.

It works, and the piñata shows up at the edge of camp.  It attacks the dummy, and when it realizes it has been fooled, it assumes the shape of a two-headed flying tadpole and searches around the campsite.  At the right moment, Kyle triggers the snare, which catches the monster in a tent.  They set fire to it, and appear to be on the verge of success when the canvas tent burns through, and the monster drops to the ground, hitting Monica and knocking her out.  It turns on Kyle, who does a surprisingly good job of holding his own.  Apparently Nick Brendon’s seven seasons of Buffy taught him well.

The monster, however, starts to get the upper hand.  Just before it can deal a death blow, Tina lunges out of the shadows and handcuffs a gas-filled canteen with a wick onto the creature.  The trio dives behind a table as the canteen explodes, showering the area with flaming bits of terracotta and the freed souls of the monster’s victims.

Game, set, and match.

The next morning, campus police have made it to the island, and the credits roll as the questions begin.

Good grief, but that was a slog.

The bizarre thing about this is that when I was casting about for a movie to review, I remembered a fragment of a movie on SyFy with Nicholas Brendon in it that had a beach and a woman in a bikini.  The resulting Google-fu led me to this movie.

But this isn’t the same movie!   This means that we live in a bizarre universe where there are at least two movies that would run on SyFy with Nick Brendon, beaches, and women in bikinis.

Think about that when you think your world isn’t strange enough…

1I’ll point out that this review is something of a response to my pal Skippy’s excellent review of Enter The Ninja.  He threw down an implied challenge, and I felt compelled to sink to it.

2I was a big fan of the Buffy TV series.  Nick Brendon’s Xander Harris was one of the best characters on the show.

3At this point, you might be thinking “Dammit, Badger!  Are you reviewing a dead naked teenager movie?  The answer to that is “no”.  Despite the initial bikinis, the underwear-themed scavenger hunt, and the handcuffing, this is an extremely tame film.  I’ve honestly seen more objectionable material on ABC Family.

2012 Books, and a Recommendation

So I’ve been trying to read a lot this year.  So far, I’ve been fairly successful.

In an effort to fill space before my Super Mega Awesome Cinco De Mayo movie review, I’ll summarize the books that I’ve read so far this year, that I’m currently reading, and that I have queued up next.

The first batch are in the “completed” stack:

Stieg Larsson’s Millennium trilogy – Reviewed here.

Suzanne Collins’ Hunger Games trilogy – I read these mainly because of the buzz surrounding the movie.  I liked them overall, mostly because of the way Katniss developed over the course of the books.  The subject matter is somewhat disturbing, but most of the darker themes weren’t explored as deeply as they would have been in more adult books.  The most interesting material could have been condensed to about a book and a half.

Lawrence M. Krauss’ A Universe From Nothing – An interesting and accessible book about cosmology and why we have a universe rather than not.  It’s eloquent and thought provoking.

Katherine Stewart’s The Good News Club – Stewart investigates the encroachment of religious groups, specifically fundamentalist Christian groups, into the public school arena in the  United States, which has been abetted by a series of court decisions that characterize religious activity as protected speech.  It’s a very compelling, and somewhat chilling, read.

Chris Rodda’s Liars for Jesus – Rodda reviews the subtle and not-so-subtle historical revisionism espoused by certain conservative Christian groups.  This can be particularly difficult for the average person to notice, since one must usually go back to primary documents to unravel the truth.  Rodda goes back to the source material and meticulously teases out the truth.  In many cases, she traces the evolution of a particular claim through a variety of successive embellishments, many of which start with the writings of David Barton.  It’s like an insidious game of telephone…

Charles Stross’ The Fuller Memorandum – I think it was Joshua Zelinsky that pointed out Stross’ Laundry Files books to me.  The basic hook is that “magic” is really math, and the weird things that H.P. Lovecraft wrote about are basically accurate.  The premise works.  I thought this was the second best of the three Laundry books published to-date, the best being The Atrocity Archives.

Richard Dawkins’ Unweaving the Rainbow – The wonders of science.  Dawkins is a very eloquent writer, and when he gets going on science, it’s hard to stop reading.

Charles Seife’s Proofiness – Lying with numbers, and how to detect it.  Counting is inherently messy, and lots of parties have a vested interest in exploiting that fact.

Eleanor Herman’s Sex with Kings – A look at the mistresses of a number of European monarchs down through the centuries.  It’s less about the sex and more about the political influence and authority that many of these ladies wielded during a time in history where royal marriages were more about bolstering international relations and consolidating power than about any actual affinity between the two parties.  The book is a little uneven, since Herman jumps back and forth a lot, but still interesting.

The books below are titles that I’m in various stages of reading ranging from “most of the way through” to “have barely cracked the spine”:

Ron Chernow’s Washington: A Life – Chernow’s hefty biography of the first U.S. President.  (In the literal sense – the print edition clocks in at over 900 pages).  Most of us know Washington based on a chapter or two in high school history classes and a few pithy anecdotes about cherry trees.  The real man was a much more complex individual, keen to be accepted in the higher circles of Colonial society, and with some significant grudges against the British military traditions that denied him the recognition that he felt he deserved.  I’m still working through this and will be for a while.

Compendium 1 of Robert Kirkman’s The Walking Dead – I’m a huge fan of the television series.  The premise of the graphic novels – survivors of a zombie apocalypse trying to figure out their places in a new world – is the same, but the development of most of the characters goes down rather different paths.  Watching the initially stable personalities start to unravel and the secondary characters grow into something new is fascinating.

Michael B.A. Oldstone’s Viruses, Plagues, and History – Oldstone takes a look at a number of the biggest killers in history, such as Smallpox, Yellow Fever, and AIDS.  He goes into some pretty gory detail, which is both engrossing and stomach churning.  The grim threat of weaponized diseases shows up several times.  Pair this book with the film Contagion for a fun-filled evening.

Richard Dawkins’ The Magic of Reality – Dawkins on critical thinking skills.  Aimed at a younger audience.  I haven’t gotten too far into it, but my initial thought is that Dawkins may be a bit heavy for teens or young adults.

And finally, queues but not started:

David Rothenberg’s Survival of the Beautiful – A work on the topic of sexual selection.  Why do peacocks have such elaborate plumage? Why are some animals brightly colored to the point where they attract predators?  Matt Ridley’s The Red Queen deals with similar material.

Martin Gilbert’s Churchill: A Life – A massive biography of Sir Winston Churchill.  This one will take quite a while to work through.

Bart Ehrman’s Did Jesus Exist? – Ehrman takes on the topic of Jesus mythicism.  There has been some controversy around Ehrman’s scholarship for this book.  The existence of an historical Jesus has been a subject of contention among scholars for years, and despite what most of us may have been taught in church or Sunday school, is far from being a settled question.  At the conservative end of the scale are those who would claim that everything written in the Bible about Jesus is completely correct, and at the other end are those who would claim that Jesus was a character built out of bits and pieces of pre-existing myths and stories.  In the wide middle are those who posit an historical individual around whom various stories and legends grew.  It’s an interesting topic, but a very polarizing one.

My goal is to complete this list by the end of July, which gives me 4 months left in the year.  I’d like to aim for another 10 books by the end of December.  Suggestions are welcome.

Now, there is one other resource I’ve found myself spending a lot of time reading lately, and even though it doesn’t fit in the “book” category, I wanted to go ahead and put in a plug for it.

Over at Patheos, a young woman named Libby Anne has a fascinating blog called Love, Joy, Feminism.  Libby Anne comes from a family that is involved in the Christian Patriarchy/Quiverfull movements.  I was not terribly familiar with either of these beyond the very general premise that Quiverfull families have lots of kids.  Libby Anne left these movements in college.  Her story speaks for itself – there’s no way I can summarize it that does justice to the eloquence and sensitivity with which she writes.  She also frequently links to a number of blogs dealing with similar stories, which are all compelling in their own way.  I’m not sure exactly why I find her story so interesting, but I do.  I recommend paying Libby Anne a visit and reading her About page.